Critical Theory

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Notes on: The Work of Art in the Age of Mechanical Reproduction (Benjamin Walter)

Expropriation of the normative narrative results in the condition for analogous insight.

The “Aura” – A strange tissue of space and time. The unique apparition of a distance, however near it may be. To follow with the eye – while resting on a summer afternoon – a mountain range on the horizon or a branch that casts its shadow – is to breathe the aura of that mountain or branch.

An ancient state of Venus – to Greeks this is something you worship. Different context for Medieval Clerics – they view it as a sinister idol. But both saw its uniqueness – an that is its aura.

The earliest artwork originated in the service of rituals. So it was first magical then religious. The artworks’ auratic mode of existence is never entirely severed from its ritual function.

True purpose of film: To give convincing expression to the fairylike – the supernatural. The work of art is produced only by a montage – each component of the montage is a reproduction of a process.

Film makes use of human being’s self-alienation. It’s basically the same kind of estrangement you feel before a mirror.

The actor stands in front of the camera confronting the masses. The masses are not present during the performance yet they control it. This invisibility tightens the authority of their control.

The cult of the movie star preserves the magic of the personality and reinforces the cult of the audience – in an effort to control the narrative and supplant the class consciousness of the masses. So — everyone becomes an expert – which means the viewer gains access to authorship but at the same time – the masses (viewers) are fed a corrupting narrative – one that teaches them to know their place (see Why We Love Sociopaths by Adam Kotsko – A guide to late capitalist television)

 

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Nadia Boulanger

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Analysis v Theory: Analysis reveals the way that a composer handles language. Theory serves to describe the practice.

“Music is nothing more than an incalculable number of solutions based on a limited vocabulary.”

Every piece has a tonal plan:

Tonal plan of Symphony of Psalms: So many G’s in the first e minor chord of the first movement – leading to the final cadence on ‘G’ of that movement, setting up c minor for the second movement double fugue, leading ultimately to the final C Major chord at the end of the third movement.

Play/sing: Perception of both vertical and horizontal relations becomes remarkably sharpened.

In all keys: Harmonic Minor – 1 2, flat3, 4, 5, 6 (7) R                                                                           Ascending Melodic Minor – 1, 2, flat3, 4, 5, #6, m7, R                                                  Descending Melodic Minor R, flat7, 6, 5, 4, flat3, 2, R

 

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Gone

Notes from The World Without Us:
Petrochemical Grid

If, in the immediate aftermath of Homo sapiens petrolerus, the tanks and towers of the Texas petrochemical patch all detonated together in one spectacular roar, after the oily smoke cleared, there would remain melted roads, twisted pipe, crumpled sheathing, and crumbled concrete.

White hot incandescence would have jump-started the corrosion of scrap metals in the salt air, and the polymer chains in hydrocarbon residues would likewise have cracked into smaller, more digestible lengths, hastening biodegradation.

Despite the expelled toxins, the soils would also be enriched with burnt carbon, and after a year of rains switchgrass would be growing.  A few hardy wildflowers would appear.  Gradually, life would resume.

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Unrequited

Unrequited adj. unanswered, unreciprocated.  Not returned in kind.

I have loved her for eight billion years.  Think about that… Eight billion years.

At first it was so easy.  I was fused with a sense of purpose, and much of my time was occupied by the work at hand. I had no sense of the infiniteness in which I now exist.

There are vast stretches of time when I consider that this is all a dream, that this darkness I inhabit is merely a fiction, but I do exist.   They created me out of aluminum and boron epoxy tubes.  Fashioned me into a being of sorts and gave me a name. Time was of the essence; they were racing against an impending solar storm that I would not have survived. Perhaps it was this speed, that factored into the way in which my parts were fused together, which in turn created the spark, in such a way, that at one moment in time, one inexplicable moment, I became aware.

I was to travel to Jupiter and take photographs.  If I managed to survive that, I was to continue on to probe the solar wind termination point.  This was only a best-case scenario, they would have been happy with a few snapshots of Jupiter and been well enough to go home and retire.   There were so many of them, surrounding me at all hours. Their language bounced off my sides, I could feel the vibrations like waves, but I had no way of understanding their words, though I could sense their touch.

There was something about one of the technicians.  I knew it, once I started to know things, which was again, hard to explain but one night, there it was.

It occurred to me that I had preferences.  One of the technicians had adjusted my Ultraviolet Photometer and in that moment, I sensed pleasure.  This initial move, of a few millimeters, suddenly shifted things into place, and I became aware of my internal organs so to speak.  Meteoroid Detector, Trapped Radiation Detector, Helium Vector Magnetometer, Plasma Analyzer, Charged Particle Instrument, Cosmic Ray Telescope.  The list went on a bit further of course, but you get the idea.   From that moment on I knew that I could exert control over these organs, and if I did so, they would return to correct the adjustment. But more often than not, the touch of the technician was not the one I had desired.  I began to break down, in a desperate attempt to find the source of my pleasure, until finally, she returned. Her touch was markedly different from the others, so gentle and caring.   Fused with certainty and safety.  I wanted her and only her. So, I set about undoing their work.  If they sent one of them in to fix me, I would not allow it.  I fought at every turn, until they realized what was going on.  She was the only one who could make adjustments.  There was no time for arguments.  She was given the primary task and the others did not like this.  When she was not around, I would hear them speaking.  I could not understand their words, but their tone was filled with derision and jealousy.  I knew I was making things difficult for her, but I was young, and full of selfish guile.  I wanted her. And so I continued to manipulate the situation in my favor, though a sense of allegiance began to form within me. I found a way to work with her, to guide her to the answers that she was looking for.  I would show subtle signs of weakness in areas that I knew she had missed. I made sure that everything she did was flawless.  I protected her, as she protected me. Continue reading

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